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Brie's Corner

Supervillain book reviewer. Lover of secret pains and purple proses. I review over at Romance Around the Corner.

Carolina Girl - Virginia Kantra Originally posted at Romance Around the CornerI’m a long-time fan of Ms. Kantra’s books. Last year, the first book in the series, Carolina Home, was one of my favorite books, and I was anxiously waiting to read the next one. I’m happy to say that it was just as good as expected.This is a pretty standard book with a pretty standard set of tropes.First we have our heroine, Meg. She grew up in a loving home and had dreams too big for the small island. She was in love with her older brother’s best friend; a guy who broke her heart the day he took her virginity and left. Eighteen years later, she’s incredibly successful, lives in New York and shares her life with a long-time boyfriend who is clearly all wrong for her because 1. He’s never asked her to marry him and 2. He doesn’t console her after she loses her job. So she decides to go back home to put her life in order, figure out what to do and in the meantime help take care of her mother who was recently in an accident.Then we have Sam, the hero. Unlike Meg, his family was a mess. His mother abandoned him when he was a kid, leaving him with a rich father more concerned with women than with taking care of his son. When Meg’s family moved back to the island, he found the love and warmth he craved, which is why he panicked when he had drunken sex with Meg. But unlike the usual tormented-by-a-loveless-upbringing, poor-little-rich hero, Sam is quite committed to proving himself, doesn’t hold irrational grudges against his father, and is pretty quick to realize that Meg is the one.The setting is fairly predictable and trite, but as is the case with similar stories, the execution is everything, and the book delivers a romance that may not be particularly refreshing, but it was sweet, entertaining and reminded me of the reason why I love Contemporary Romance.Meg is an ambitious and career-driven heroine; something we know isn’t usually compatible with the genre. Similar heroines tend to be dissatisfied with their work and welcoming of the magical wang that shows them how their life would be better outside the office and inside the kitchen. This book doesn’t entirely go there, although it had me worried for a second, and instead uses the rare compromise that still leaves the heroine in charge and in love with her job (but away from evil New York and directly into the idyllic small town, because what else?). I won’t lie, though, I would love to see a hero give up or make considerable changes to his career jut to be with the heroine. I’m aware that this is another unfair extreme, but it would be quite something. In the meantime, I’ll have to settle for books like Carolina Girl, in which that option is considered, but only goes as far as becoming a convenient grand gesture. Sam was an adorable, charming hero. His main attribute was being the one who decided to risk his heart once he realized the extent of his feelings. I also enjoyed reading about a guy who had so many generic traits but managed to make them his own by the force of his personality alone. As with everything else about this book, there was nothing new about him, but it just worked.This series reminds me of Nora Roberts’ older Contemporaries (the Chesapeake Bay books in particular). There’s even a little kid that has a secondary role throughout each book (fortunately, she’s not one of those cutesy, precocious little kids). If you liked those books, you will feel like Ms. Kantra wrote this series just for you.There you have it. This is a small-town-ish series (without the annoying townsfolk) that revolves around a tight family that has realistic issues. None of the characters are cartoons defined by a couple of ridiculous traits, and the book is far from one of those mass-produced small-town Contemporaries that completely blend in together. Carolina Girl is a memorable book that pretty much proves that quality over quantity is always best, even if it means having to wait one year to find out how it all ends.